The fact that this bridge/saddle combination took it up to the next level is incredible. Mind you, this guitar was amazing to begin with. It also increased the guitar’s responsiveness, giving it more articulation. More depth, more mids, more treble, and more bass. The bridge-plate seemed to add a more piano-like brilliance to the guitar’s tone. It also matched up well with the two brass saddles, volume-wise. The aluminum E/A saddle is a great idea, offering up more definition and getting rid of some of the woolliness in the bass registers when pushing the amp a little. I was able to intonate the Nocaster in no time, and was quickly on my way. 1 Hz on all six strings using normal string gauges. Dale did his homework, and his saddles are designed to allow you to intonate within. The first thing I noticed was the ability to grab some relatively complex chord voicings up the neck and have them be in tune for the first time in my life. I knew there would be a difference, but I wasn’t expecting it to be so profound. Once everything was buttoned up, I took it out for a spin. The Twang set is further differentiated by using aluminum for the E/A saddle, and brass for the other two The saddles are compensated to ease intonation without losing that classic Tele tone. The saddles he sent were his Twang set, aka the Redd Volkaert set. The bridge-plate is a non-magnetic, stainless steel version with a small cutout on the treble side, facilitating picking near the bridge without losing any flesh. Installation was very straightforward, and any potential problems would be side-stepped by the excellent illustrated instructions on Glendale’s website. I installed the bridge-plate and saddles on a Fender Nocaster Relic. Clark knows his Teles when he offered to send us some bridge-plates and saddles to review, we happily obliged. Dale is located in Texas and is busily making everything from knurled knobs to complete guitars. Group one uses a Tele as a tool for the second group, the Telecaster is a lifestyle.ĭale Clark, proprietor of Glendale Guitars, is definitely of the second group. They may or may not be better players than those in group one, but that really isn’t the point.
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They can hear the difference between a top loader and a traditional Tele bridge on a mono recording, played on AM radio with the windows rolled down while driving under power lines.
The second group can recite chapter and verse on when and why Roy Nichols first decided to put a Gibson lapsteel pickup in the neck position of his Telecaster. They are content to just play the damned thing, not worrying about what Tele players before them did to get those mystical sounds, no concern about brass or steel saddles, and no fretting over the minutiae of pickup winding techniques. The first type walk into a shop, fall in love with a Tele, and walk out happily after making their purchase. There are two kinds of Telecaster people.
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