

Dicey dungeons ost soundcloud software#
It saved me having to learn both the Epson and Nikon software, and gave me good enough scans.Īlthough it uses the IR-channel scanning function of these two scanners, the software algorithms are different and in my experience nowhere near as effective as ICE. Now I find myself with two scanners that have ICE-an Epson V700 and a Nikon Coolscan V.Īfter I first got both, I continued using Vuescan, which is a great solution to keep a lot of older scanners running and was also very "comfortable" for me. I worked for a while with Canon FARE on a flatbed, and was never totally satisfied. Have you ever used real Kodak ICE-both the software and hardware? I try to get the scan exposure "right" but I'll also make any contrast and levels adjustments needed in Photoshop.

The latter doesn't matter since most of the Kodachromes I care were long ago scanned, but B&W is a big deal to me. Even ICE misses some things, and it doesn't work on B&W or Kodachrome. Thus, I run Nikon Scan most of the time on the Nikon-it's a Carbonized program so requires 10.6 or older.Īfter scanning, the scans get popped into Photoshop CS4 for clean-up(a dull task). With that said, Vuescan doesn't have "real" Digital ICE, and testing side-by-side on the same frames I've found their infrared cleaning algorithms to both miss things that ICE gets and to cause more resolution loss than ICE. This is a currently maintained program that will operate both of these scanners. Unfortunately, the MF film holders are lacking(or they frankly suck) so I keep meaning to buy some better after market ones.Īll of that aside, I have and use Vuescan. Since a lot of my film work these days is on medium format or 4x5, the Epson gets a work out(although I only use it for 35mm when I'm bulk scanning slides for someone else and they just want "powerpoint quality" since I can load 12 slides at once). This makes it possible to scan 110, although wet scanning is a pain and I usually just use anti-newton glass on 110 and other oddball sizes

With a wet mount kit(which I have) it's possible to scan ANY size film provided it's not too bit to fit on the glass mounting tray(8x10). The Coolscan excels at 35mm but that's all it will handle. I use two main scanners-a Nikon Coolscan V and an Epson V700. My dual 2.7 takes care of all my film scanning needs, which includes both some of my old work, old family negatives, occasional jobs for others, and probably more importantly my current film work.
